Whatever frame you want to give it, Worshipper’s story is one of growth. What started four years ago with a couple digital singles has blossomed -- yes, blossomed -- into an expansive and individualized sound that’s like nothing else in heavy rock and roll. With patient and graceful songwriting, and thoughtful, detailed arrangements, the Boston-based four-piece bring something new to the hordes of those building altars to the capital ‘r’ Riff. Their second album, Light in the Wire, presents a progressive vision that’s not just about “oh hey we threw a keyboard on some guitar,” but instead bleeds into every melody, every smoothly-delivered rhythmic change, and every performance captured on the recording.
Worshipper’s first album, Shadow Hymns, came out in 2016 on Tee Pee, and they followed it with the 2017 covers EP Mirage Daze, a four-song jaunt exploring influences like Pink Floyd, The Who, Uriah Heep and doom rockers The Oath. That release gave new context to Shadow Hymns, and it informs Light in the Wire as well, though with the new LP, Worshipper are most recognizable as themselves.
Led by would-be-reluctant-were-it-not-for-all-that-pesky-stage-presence frontman John Brookhouse (guitar/vocals/synth), with Alejandro Necochea on lead guitar/synth, Bob Maloney on bass and backing vocals and Dave Jarvis on drums, Worshipper recorded Light in the Wire with Chris Johnson (also of Deafheaven, Summoner, etc.) at GodCity Studios and The Electric Bunker. Their intention to capture a sonic narrative has resulted in a fluidity tying the two sides of the album together even as individual pieces stand out with a sheen of classic heavy metal, rock, psychedelia and prog. At the center, always, is the crafting of the songs themselves, so that each verse isn’t simply a placeholder for the next hook, but a statement unto itself, and each solo drips soul rather than devolving into a needless showcase of wankery.
Light in the Wire not only sees Worshipper grow as songwriters and performers, but it expands the palette they’re working with to do that. A stage-born chemistry pervades their musical conversation, but even more, the confidence with which they take on darkness and light, weight and drift, brings into focus how faithworthy their sound has become. They may push farther still, but hearing Light in the Wire leaves no question of their realization.
released May 17, 2019
Produced by Chris Johnson
Recorded June 2019 at GodCity Studio Salem, MA
Tracking & mixing July-Dec 2018 at The Electric Bunker Brighton, MA
Mastered by Brian Charles at Zippah Studios Brookline, MA
Whatever frame you want to give it, Worshipper’s story is one of growth. What started four years ago with a couple digital
singles has blossomed -- yes, blossomed -- into an expansive and individualized sound that’s like nothing else in heavy rock and roll....more
supported by 10 fans who also own “Light In The Wire”
Holy shit -- well done, mates. Brits still call each other mate, yeah? Semantics, am I right folks?
Seriously, this band fuckin' rips. You can hear so many influences throughout this hazy, magical ride: blues, stoner, doom, sludge, and even a little post-metal; yet all of it coalesces cohesively into a crunchy and energetic romp of rock/metal. cvltcorgi888